小提琴天后,安・蘇菲・慕特,要來了!

慕特3月份要來臺演出了,喜歡她的樂友,請把握現場聆賞的機會。

小提琴天后,安・蘇菲・慕特,要來了!

圖片出處:MNA牛耳藝術網站
哇!好棒棒!
12:00 系統開賣, 晚半小時進去, 一些好位子或便宜位子全沒了.
先在家裡聽熟她要演奏的曲目, 好與現場原聲比對, 這樣就知道音響未來升級的方向.
宅男工程師
台北國家音樂廳有個重要任務: 讓熱愛音樂的年輕學生, 也能聽得起國際級演奏. 若訂在 23:00 方便一堆剛加班完的上班族, 進來搶票. 訂平日中午, 能自動過濾掉上班忙碌的上班族
we543543
國家音樂廳可以做的是學生季票,但應該不包括這類場次。
慕特是德國人,特長是德奧作曲家,這次演奏的有莫札特,舒伯特,舒曼夫人,只可惜沒有帶來貝多芬. 我最想聽她拉的克羅采奏鳴曲.

她已經將近61歲, 算是小提琴"太后", 所以感覺上最近比較愛惜羽毛,不會挑戰超級難的作品. hello Music Theory把她列為女小提琴家第八名. 以目前來說,排名最高的是Hilary Hahn, 44歲, 接觸的曲目廣, 技巧與藝術表現在這個年紀都達到巔峰; 而同樣是德國的小老妹Julia Fischer (40歲)則是排名第五. 不過慕特在這個年紀還排第八已經是非常不容易了!

https://hellomusictheory.com/learn/famous-female-violin-players/
I appreciate your perspective, however......based on the article provided, it does not appear to have any explicit "ranking" or hierarchical order in terms of skill, achievement, or reputation of the mentioned female violinists. The list seems to be more of a showcase or recognition of their individual accomplishments and contributions to the field of music. Each violinist is presented with a brief overview of their background, achievements, and unique qualities, but without any comparative or competitive context that would imply a ranking or rating system among them.

The article's intent seems to be to highlight the diverse and significant impact these women have had in the realm of violin music, rather than to compare them against each other in terms of superiority or precedence.


By the way, the website "Hello Music Theory" is focused on providing educational resources and study materials for music theory. It offers lessons, practice papers, worksheets, and study guides covering various grades and topics in music theory. The site is run by a team passionate about making music accessible to everyone and is used by a global audience. It does not appear to be focused on ranking or comparing musicians; instead, its primary goal is to aid in learning and understanding music theory.
Celibidache88 wrote:
however......based on the article provided, it does not appear to have any explicit "ranking" or hierarchical order in terms of skill, achievement, or reputation of the mentioned female violinists.


到了那個量級,還要被排名未免太辛苦

年輕時沒特別偏好慕特(當時聽的多數是老頭們),這種追星場就跳過去了。
排名看看就好, 個人有個人的風格.

就像我說的, 慕特拉德奧古典時期的還不錯, 但她拉義大利的曲子就缺少那個味道. 她拉布拉姆斯真的很好, 拉貝多芬的也還不錯, 不過巴哈的部分我比較不欣賞. 比起小老妹Julia Fischer, Julia比較可愛, 慕特就覺得有點咄咄逼人!

Hilary Hahn我喜歡她比較大規模的浪漫派協奏曲, Rachel Barton Pine我喜歡她的巴洛克 (除了維瓦第的四季), 四季的話我喜歡Janine Jensen的演奏. Monica Huggett的巴洛克也是很棒!

至於擅長Paganini的女小提琴家我還不是很確定(不像男小提琴家有Accardo就是現代Paganini的詮釋專家). 最近我聽了Francesca Dego的演奏, 覺得相當不錯!
Celibidache88 wrote:
慕特3月份要來臺演出...(恕刪)

3月9日我去不了. 蛤. 票已經售罄. 果然是天后

安蘇菲慕特很久的天后. 很久以前就聽過她.
宅男工程師
能力所及, 就盡量欣賞原音真跡, 感受原作者的心血. 以前去大英博物館, 羅浮宮參觀時, 看到藝術系學生在館內看真跡臨摹. 而台北故宮卻只給觀光客參觀, 從無看到學生在內做研究.
we543543
感受原作者的心血,特別是音樂,罐頭的好處是一次聽不懂可以聽十次、一百次,現場不行。台灣稍具規模的博物館多數有開放研究(這是國際博物館公約),要申請,那個領域我略知一二。
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