慕特3月份要來臺演出了,喜歡她的樂友,請把握現場聆賞的機會。
圖片出處:MNA牛耳藝術網站
她已經將近61歲, 算是小提琴"太后", 所以感覺上最近比較愛惜羽毛,不會挑戰超級難的作品. hello Music Theory把她列為女小提琴家第八名. 以目前來說,排名最高的是Hilary Hahn, 44歲, 接觸的曲目廣, 技巧與藝術表現在這個年紀都達到巔峰; 而同樣是德國的小老妹Julia Fischer (40歲)則是排名第五. 不過慕特在這個年紀還排第八已經是非常不容易了!
https://hellomusictheory.com/learn/famous-female-violin-players/
The article's intent seems to be to highlight the diverse and significant impact these women have had in the realm of violin music, rather than to compare them against each other in terms of superiority or precedence.
By the way, the website "Hello Music Theory" is focused on providing educational resources and study materials for music theory. It offers lessons, practice papers, worksheets, and study guides covering various grades and topics in music theory. The site is run by a team passionate about making music accessible to everyone and is used by a global audience. It does not appear to be focused on ranking or comparing musicians; instead, its primary goal is to aid in learning and understanding music theory.
就像我說的, 慕特拉德奧古典時期的還不錯, 但她拉義大利的曲子就缺少那個味道. 她拉布拉姆斯真的很好, 拉貝多芬的也還不錯, 不過巴哈的部分我比較不欣賞. 比起小老妹Julia Fischer, Julia比較可愛, 慕特就覺得有點咄咄逼人!
Hilary Hahn我喜歡她比較大規模的浪漫派協奏曲, Rachel Barton Pine我喜歡她的巴洛克 (除了維瓦第的四季), 四季的話我喜歡Janine Jensen的演奏. Monica Huggett的巴洛克也是很棒!
至於擅長Paganini的女小提琴家我還不是很確定(不像男小提琴家有Accardo就是現代Paganini的詮釋專家). 最近我聽了Francesca Dego的演奏, 覺得相當不錯!
宅男工程師 wrote:
先在家裡聽熟她要演奏的曲目, 好與現場原聲比對, 這樣就知道音響未來升級的方向.
Anne-Sophie Mutter 現場聆聽 VS 居家音響