cyskyhi01 wrote:
卡口大關係不大, 最重要的是法蘭距短, 看看Canon的RF鏡, 在縮短法蘭距後也一樣釋放了不少新鏡出來
反而Sony的mirrorless真是失禮, 到現在也沒有好好的利用到法蘭距縮短後的優勢, 光學上還是落後很多
個人的理解是法蘭距對鏡頭設計的解放是高於卡口大小的
另外索尼早期的55/1.8ZA素質跟S50A是同級的也才280g
新的24/1.4GM更才450g
索尼利用短法蘭距的優勢打造出兼顧畫質體積和重量(甚至價格)的24GM
被DPreview盛讚是"鏡頭設計藝術的偉大示範"
這是這顆鏡頭拿到Dpreview年度鏡頭大獎的重要原因之一
https://www.dpreview.com/articles/6476469986/dpreview-products-of-the-year-2018?slide=13
We've seen a lot of small, OK lenses this year, and a lot of very large, very good lenses, but it's really nice when we see a manufacturer make a small excellent lens. The Sony FE 24mm F1.4 GM is exactly that.
This medium-wide prime lens for Sony's a7-series and a9 mirrorless cameras (it's also a useful 36mm F2.1 equivalent on APS-C) is a great example of the lens-maker's art. Superbly suited to landscape and astrophotography, the 24mm F1.4 is equally useful for low-light candid photography and portraiture. It's uncannily sharp edge-to-edge wide open with little to no coma, bokeh is smooth, and longitudinal chromatic aberration - that purple and green fringing we loathe on many fast wide primes - is well controlled. Our decision this year was unanimous - the Sony FE 24mm F1.4 GM takes the well-deserved top spot in our award for best prime lens of 2018.
自己有偏好的品牌很正常
但不需要用貶抑其他家的方式去凸顯自己的優越感
千萬別跟豬打架,這只會讓你變髒,卻讓豬樂在其中。
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